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TOP HAT MAGICK

by guest rooms

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1.
2.
Tight rope 05:12
3.
midnight in Brenham drinking with Orion while the insects croon while the insects brood got a head full of smoke tobacco on your tongue talk to the moon reminisce about youth do you remember in high school out past the curfew Orion in the sunroof talking it through dragging on the past until it gets nauseous smother its ash toss it in the trash
4.
thank god the bell as it sounds in the claim follow the turning, carries the weight all ones in travel will be kept at bay all at rest spinning ad infinity I know there's a parallel forfeit appearances pant to the gate runway of strangers each to their place what would have been had we been late? time to consider each minor change I know there's a parallel
5.
felt 01:04
6.
Silo 04:15
cut fog gravel road vanishing San Antonio thumb on the window pane draw a star around your name choke up like you've been told ten two to keep control stare out into the vague guess at a growing grey I think I see a silo bit more a mile or dos hawk above a wooden cross you see the king of jews float down the Guadalupe pass lines of death row freaks fenced penitentiary they plea "don't wait for me, I'll only be a silo" I think I see a silo she said it's different - being alone and being lonely you tell her two can be one without being needy she's says be careful storing your grain, lest you're taken too soon everything stored is something to lose - and you wouldn't want that now babe would you?
7.
BUMP 01:37
8.
Subway song 02:59
buried corpse underneath the city watch her on a train away east coast comfort warm with pity lost within a platform change now what do you gotta do to get her off your mind? homeless man sitting by a pay phone ask him for a word today preacher's (preaches) love comes with a patience comes only to those who wait now what do you gotta do to get her off your (goddamn) mind?
9.
burning sun lay on the horizon pink the western hills spreading wide give to dusk lay bare a constellation bear a kind of star northern in its light I see a drop of white in an oil-spill sky stumbing stilettos made of pipe and beam stuck in city tar between red and green it's weed and wheat grasping without way to see office light is dark over northern gleam we - we're staining eyes to see a drop of cream in an oil-soaked machine she's got a love makes like tired rail cars up and down the folds of the U Pac line Her back an forth is wearing all her wheels to bolts steady moving North northern to a light a vanishing light swore you saw a white flicker in the frame of an inkblot night I - I know it's just a trick! a little TOPHAT MAGICK you can try to see by a lamp in empty space like a drunkard in a maze try to read the words erased northern light without a trace Drive your car past where all the signs hush park beside a field with its arms out wide twirl your dress so fast it rises to your chest no worry for your nakedness peeking through the clouds shedding northern light Now out there on your own you're northern in your light isn't it right?
10.
SINCERITY 00:49
11.
12.
o.k. 03:23
do what we say and don't forget about it now it's on the tip of our tongues have we lost our heads? did we leave them there amongst the politicians lending backwards hands even charming god with money bags? it's gonna be okay hey - it's gonna be okay it's pestering - that crippling numb that leaves you curled up in a ball on the floor it's following - that grisly voice that tells you you're not alone anymore it's gonna be okay hey- it's gonna be okay life is miserable enough I mean, god life is magic unbelievable
13.
sign ahead of view somewhere without responsibility take it as it goes another joke a little further choose the west or east I could care the least I'll be looking up sky -- the limitless if the fucker falls we'll live underground stop along the way next place for gas to burn what came before time to melt the clock mirror on the wall cracks for our good luck leaves in four or three I could care the least anyway to see we'll be looking up stop the daily grind contact the eyes
14.
Kite song 02:48
statue in a park nearby sun slipping on the sky day's long copper yawn looking for a thing to spy see a runner and a kite drawn across peripheral kite, I've watched you too long now not to comment as you bow waiting for a gust to take you up you crumple on the dying grass falter after every cast take a rest upon the earth kite, I think it's cute to see the way you toss so idly tissue in a westerly paper on a wind think it's sad, think it's strange you only rise because your weight only rip because the same when wind gets too strong

about

the 'k' denotes the religious aspect, rather than the stage aspect of the illusion

the hat is the symbol for the performer, albeit on the "stage" of life; it also resembles the comedic

An auditory exploration of anxiety, nostalgia, plurality, identity, desire, acceptance, idealism, and absurdity;

most simply it is about the power of the will to choose goodness, positivity, being itself

and the changing of one's outlook.

This one is like the best of nonfiction books -- turn to whichever chapter (song) you want in whatever order you want, you do not have to listen in order.

credits

released February 22, 2022

all songs written by Mason Parva except "o.k" which was written by Lucienne Maydwell

All songs recorded, produced and mixed by Mason Parva
Mastered by Marshall Pruitt at Grave Street Audio and Playback

The amazing cast:

Ryan Fraissinet: viola on 6

Nelson Laflin: drums on 2,8,12

Lucienne Maydwell: vocals on 12; backing vocals on 6,8,9,14; bassoon on 2,6,8,9,12,13; guitar on 6,9,10,12,13; resonator guitar on 6; drums on 13; banjo on 12,13;

Austin Ondrusek: granular synth on 1; upright bass on 2,4,6; electric bass on 2,8,12,13; synth on 8; xylophone on 12; sample placement on 2,8; ambient backing on 11; backing vocals on 8; drums on 12; synth modeling on 6

Mason Parva: vocals on 2,3,4,6,8,9,13,14; Backing vocals on 12; piano on 2,8,9,13,14; rhodes on 1,4,9,12; sample placement on 1,2,8,10,11,13,14; synth on 1,6,13; guitar on 2,3,4,6,8,9,13,14; drums on 3,4; harmonica on 13; string arrangements on 9; xylophone on 4,14; casio on 8,14; Hammond on 1,2,3,4,12;

Derek Smith: saxophone on 1,9,12,13; string arrangements on 9; classical guitar on 4; cymbals and toms on 4; backing vocals on 4,9,14; bass on 1; drums on 9

Aaron Zachary: drums on 9


Enumerable amounts of wise feedback and production help from Austin Ondrusek, Derek Smith, and Lucienne Maydwell

Thank you Bailey, mom, Ben, dad, Noah, Ryan, Aaron

For Caspian, Bailey, Thomas, Elliott, Nick, Joni, and countless others whom I would not exist if not for

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guest rooms Austin, Texas

Guest Rooms is the bedroom recording project of Mason Parva and friends.

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